This list then is of the best Jerry Garcia solo albums, including collaborations. This is the closest the Dead came to dabbling in the mid-’70s progressive-rock of Yes or the jazz-fusion of Mahavishnu Orchestra. Unfortunately, except for the myriad of Garcia/Grisman and Garcia/Merle Saunders albums on CD, ALL of Garcia's albums are out of print again . “Estimated Prophet,” a tripped-out song about a messianic zealot, is one of Bob Weir’s finest vocal turns. Bob Dylan first comes to mind here, but the 2016 tribute album Day of the Dead—featuring indie luminaries like The National, The War on Drugs, and The Flaming Lips—demonstrated just how remarkable the Dead’s songs were. Recorded and released mere months after the above album, American Beauty is the album even the most casual listener associates with the Grateful Dead. Our response to COVID-19: More Info › There are many obstacles (mostly imaginary) to the average person listening to the Dead, but once you get it, you truly get it: The Dead were among the greatest rock, folk, and country-rock songwriters of the 20th century. Widely regarded as the Dead’s most reviled studio album, Shakedown Street has the infamous label of being “Disco Dead.” The late ’70s saw a mad rush for great American rock artists to stay relevant amid the commercial dominance of disco and airy soft rock. The title track, meanwhile—with its statement of purpose and all—would’ve been a better offering for rock radio, but sadly got overlooked by whoever made such decisions. The prolific nature of Jerry Garcia is evident in the breadth of albums he released through his musical career. A large number of original studio albums and live releases are highlighted here, but, with Jerry being the most recorded musician of all time, there's always something new just … But as with all the Dead’s more mediocre studio efforts, the great songs on this record became live staples, all without the slithery and misguided self-indulgence of their studio versions. Nearly all of the songs showcase the band’s penchant for folk-rock or R&B, but with a big heap of interstellar synths. On their third studio album, pronounced “ox-oh-mox-oh-ah,” the Dead reached the pinnacle of their psychedelic-tinged experimentation—as the trippy acid-induced cover underscores—with freak-folk acoustic Appalachian folk songs and jagged acid rock tunes that scream peak Haight-Ashbury. One of its founders, Garcia performed with the Grateful … Lead track “Foolish Heart,” with its rococo keys and “clock”-like (Jerry’s words) mechanics, was the Dead’s lackluster attempt at cracking the Billboard Top 100 a second time, but alas, it failed. with Howard Wales, or the early Merl Saunders/Garcia Live at Keystone stuff recorded for Fantasy, but it's OK. 40 years later, the suite holds up as a sublime (and, sure, overblown) documentation of forward-thinking psychedelia. But make no mistake, “Touch of Grey” is a fucking fantastic song. Albums include Cats Under the Stars, Jerry Garcia Band, and After Midnight: Kean College, 2/28/80. Jerry Garcia Albums. This is stoned and clever folk-rock that is more a forebear of Wilco or Ryan Adams than of the freak-folk stuff like Devendra Banhart or Grizzly Bear. Studio albums: 20: Live albums: 52: Compilation albums: 3: Singles: 3: As a guest musician: Jerry Garcia was an American musician. Jerry Garcia lamented that producer Keith Olsen “put the Grateful Dead in a dress.” But ignore those guys (kidding!). Suffice it to say, this album is only marginally better than its inexcusable album cover. The emphasis here was on Americana songwriting, rather than on experimentation or blues vamping, and thus came an album of indelible studio tracks that do actually hold up to and sometimes outshine their live counterparts. 8 essential Grateful Dead albums you need to own. 1, Saunders/Garcia/Kahn/Vitt, 1988 Keystone Encores Vol. In hindsight, the Dead’s final studio album’s title has an ironic twist: The band was no longer built to last. about. The band later lamented how their studio inexperience resulted in a failure to capture the songs’ live energy, but taken as is, the album is the epitome of boogying, fuzz-slinging, drug-fueled San Francisco partying in 1967. Under the heavy influence of Bakersfield icons Merle Haggard and Buck Owens, this was the band trading in their nitrous-filled space suits for some cowboy boots and the great wide country-rock open—the invention of what I like to call “chillbilly” music. Jerome John “Jerry” Garcia was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Warner Bros. Records offered the Grateful Dead the opportunity to cut their own solo records, and Garcia was released around the same time as Bob Weir's Ace and Mickey Hart's Rolling Thunder.Unlike Ace, which was practically a Grateful Dead album, Garcia was more of a solo effort, as Garcia played almost all the instrumental parts. Everything about Blues for Allah represented a break from the Grateful Dead-as-usual. Find Jerry Garcia discography, albums and singles on AllMusic. Both GARCIA albums and CATS UNDER THE STARS plus JERRY GARCIA BAND (his live double-CD set on Arista Records, now out-of-print) plus any of the electric PURE JERRY CDs are all fine, fine albums. Much like “Standing on the Moon,” the dirge-like ballad “Black Muddy River,” which closes the Dead’s first and only top 10 album, now feels like a bittersweet farewell letter from Jerry, nearly eight years before he died. Mars Hotel notably served as a vehicle for some of Phil Lesh’s better songs: “Unbroken Chain,” in all its avant-garde synth-folk glory (yes, the airplane-like descending noise is jarring), has to be heard to be believed; and on “Pride of Cucamonga,” Lesh tried his hand at country-rock songwriting and wildly succeeded. Despite its sheer awesomeness, the band has long rejected its studio iteration: The bombastic choral and string arrangements, bassist Phil Lesh wrote in his autobiography, were a “classic example of gilding the lily.” Jerry Garcia lamented that producer Keith Olsen “put the Grateful Dead in a dress.”. Standout tracks like “Althea” and the rearranged traditional “Don’t Ease Me In” became essential ’80s-period live tunes, but the production and delivery here make them rather forgettable. What they do not think of, however, are the Grateful Dead’s studio albums. Compliments of Garcia (1974), Reflections (1976), Cats Under the Stars (1978) and Run for the Roses (1982). It is ordered by when the tracks were recorded, rather than the date the album was issued. We haven't included Jerry Garcia live albums or compilations, so everything you see here should only be studio albums. It only took about twenty-nine years.”, Essential tracks: “St. It contains Garcia's five solo studio albums, and an additional disc with previously unreleased studio recordings. Essential tracks: “Help on the Way,” “Slipknot!,” and “Franklin’s Tower.”. Our team of experts breaks it down, combing through thousands of shows to find their greatest songs and most transcendent moments The obvious standout on The Grateful Dead is “Morning Dew,” which is heard here in its primitive stage, shortly before it was crafted into one of the band’s signature live songs with earth-shattering climaxes. But ignore those guys (kidding!). Albums recorded by Jerry Garcia, including release dates and UK & US CD availability through Amazon. Essential tracks: “Touch of Grey,” “Black Muddy River,” and “Hell in a Bucket.”. All Good Things: Jerry Garcia Studio Sessions is a six-CD box set by Jerry Garcia. If this album didn’t include the supremely cheesy disco-rock cover of “Dancin’ in the Streets,” it would probably shoot up a few rankings. The gorgeous hymn made for similar messaging in 2017, when Gregg Allman covered it on his final record, recorded while he was well aware he was near-death. Essential tracks: “Standing on the Moon,” “Built to Last,” and “Victim or the Crime.”. The true standout here is the ballad “Standing on the Moon,” which features Jerry and Robert Hunter taking stock of their lifelong success and concluding they’d rather be in a lover’s embrace. The Dead could write pop music, too, you know. Meanwhile, on “Ship of Fools,” the band continued the legacy of American Beauty and Workingman’s Dead, offering up arguably one of the greatest folk ballads in their entire catalog. It eventually went gold. Jerome John "Jerry" Garcia (1 de agosto de 1942 - 9 de agosto de 1995) fue un cantautor y guitarrista estadounidense más conocido por su trabajo como guitarrista y vocalista de la banda Grateful Dead, que ganó prominencia durante la era de la contracultura (1960).Aunque desautorizó el papel, García fue visto por muchos como el líder o "portavoz" del grupo. A year later, the Dead managed to outdo Dylan on that front—all from the hustling, bustling comforts of downtown San Francisco. Speaking of the holy book, the Dead also shine on their near-polyrhythmic take on blues traditional “Samson and Delilah,” once again turning doom-laden imagery into an outright boogie. In the 30 years between the band’s first performance at one of Ken Kesey’s acid tests in 1965 to guitarist/singer Jerry Garcia’s death in 1995, they truly ran the gamut. According to fellow Bay Area guitar player Henry Kaiser, Garcia is "the most recorded guitarist in history. In honor of Jerry Garcia’s birthday, The Daily Beast grades perhaps the most underrated aspect of the Grateful Dead’s legacy: their studio albums. ... Now, two decades after Jerry Garcia’s death, the band is saying goodbye to the Grateful Dead with five beyond-sold-out shows. ‘Knock Me Down’ (1989): I felt it was pretty important to include a song from Mother’s Milk as the record showed just how prodigiously talented Frusciante was. Yet while the Dead have become associated with the amorphous, occasional eyeroll-inducing genre of “jam bands”—often synonymous with hacky-sack-toeing frat-house hippies and self-indulgent improvisational Americana-adjacent acts—they were actually just the quintessential American rock ‘n’ roll band. Garcia stated this song was among his favorite collaborations with Hunter, and after he died six years later, its elegiac hymn took on an even more melancholic feel. Before the Dead were psychedelic space cadets or hippie cowboys, they were a blues-rock band. Amidst the growing counter-culture scene in the San Francisco Bay Area, The Grateful Dead were founded by lead guitarist/vocalist Jerry Garcia, bass player Phil Lesh, rhythm Their self-titled debut is a near-flawless collection of late-’60s garage rock. There was a Top 10 single at last: “Touch of Grey,” from the 1987 LP, In the Dark . Stephen,” “China Cat Sunflower,” and “Cosmic Charlie.”. Essential tracks: “Morning Dew,” “Viola Lee Blues,” and “Cream Puff War.”. Founding member and original frontman Ron “Pigpen” McKernan, who died in 1973, is enshrined here as his whirling Vox organ and harmonica breathe a primal fire into nearly every track. It’s a shame the Dead didn’t include the same sessions’ takes on gorgeous traditionals “Peggy-O” and “Jack-a-Roe,” because Go to Heaven might’ve had an entirely different and better feel. Get a year of Beast Inside for only $19.99, 8/27/1972 at the County Fairgrounds in Veneta, Oregon, when Jerry himself told Weir it was totally fine, recorded while he was well aware he was near-death, as drummer Bill Kreutzmann wrote in his autobiography. Kreutzmann later wrote that this album’s underlying concept was to “demonstrate how these songs were mirrors of infinity, even when they adhered to their established arrangements.” And that they did. Now this is how you're supposed to do a compilation -- especially by someone who isn't making music on this plane anymore. Explore releases from The Jerry Garcia Band at Discogs. (In fact, the song was performed as the first encore at the Dead’s last-ever show in 1995.) Hippie-folk tunes like “Sugar Magnolia” and “Ripple” sound like what most millennials imagine their parents’ hazy, lazy summer memories look like, while “Truckin’” is the quintessential American open-highway song. Essential tracks: “Ship of Fools,” “Scarlet Begonias,” “U.S. The deeply ambitious project and its circus-like studio environment (they recorded the album twice) put the Dead deep into debt with Warner Bros., resulting in tensions ultimately (and perhaps temporarily) solved by the successful release of Live/Dead (the band’s greatest triumph) later that year. Genres: Jam Band, Roots Rock, Folk Rock. Non-Western time signatures, untraditional chord progressions, and Middle Eastern themes confronted the listener, as the band seemingly eschewed the standard blues or folk melodies that piloted their previous output. Where to start with live Dead? Don't Let Go (Orpheum Theatre San Francisco May 21, 1976), Let It Rock: The Jerry Garcia Collection, Volume 2 - Keystone Berkeley, November 17 & 18, 1975, GarciaLive Volume One: March 1st, 1980, Capitol Theatre, GarciaLive Volume Two: August 5th 1990, Greek Theatre, GarciaLive Volume Four: March 22nd 1978, Veteran's Hall, GarciaLive Volume Seven: November 8th 1976, Sophie's, Palo Alto, GarciaLive Volume 11: November 11th 1993 Providence Civic Center, GarciaLive Volume 13: September 16th, 1989 Poplar Creek Music Theatre, All Good Things: Jerry Garcia Studio Sessions, Bands and Artists Who Were Lucky Enough to Have ME in Their Audience at One Time or Another, The perfunctory music I've seen live list, List six bands/artists that you've seen at a gig/concert and one lie. The result is a challenging but immensely rewarding experience, best highlighted by the opening triptych. 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