3. Description : Chopped up for adding basses/fills/whatever in it because it'd be difficult to do that with the full considering the reverb present. Mono Lead. On Supersaws (without layering) Hey all, I feel like there are tons of supersaw tutorials out there but few of them touch on how to make it past the "detune your saw waves" stage to make it sound nice, so I figured I'd type up a little tutorial on how to make this kind of sound in a … Detuned saws, aka Supersaws, are the body for chords layer. Overview. Google serves cookies to analyse traffic to this site. Sound design and production in general. I've found that simplicity is key for this. Every sound is unique and creates different feelings, depending on the combination. These days, computers are capable of almost anything. Hi, been trying to make supersaws for melodic dubstep like culture code seven lions etc. When I make supersaws they always seem to either be to low and muddy/lack clarity or to high/thin/harsh. VA synths had the goal of recreating the sound, functionality and user interface of classic analog synthesizers. Sounds are perfect to layer with each other and you will never need more than those presets to create your dream future bass drop. Supersaws are primarily about note choice and how well you know your music theory. For example would it be something like 7 saws detuned like the Supersaw in the Roland JP-8000? Lives for gear . Share Quote. The first is to use layering to add different parts of the sound together. ... Really it's all about figuring out how to layer dozens of synth sounds playing the same riff. Overall, you get four Supersaws. We made sure that all the sounds fit perfectly with themselves. I couldn't ever get anything to fit the way I wanted it to with this so go ahead and have it. My Recordings/Credits My Studio. The more voices the better. In the setup above, I’ve created an instrument rack that allows both of these layers to be played on a single track. Therefore, you want your chords to sound good when they are being played in mono sound systems as well. What I do to make Supersaws comes from 4 separate layers. Vocals are one of the most important elements in any song, so you have to make sure that you mix them properly. I don't hate supersaws, because in electronic music they can serve the pretty important function of filling out a mix and creating a 'bigger' So what I recommend doing to fix this is picking the main and support layers, and making the main layer louder than the support layers. Use a sub bass to get the low end, use a square based patch for thickness, use higher end really detuned saws for the upper spectrum and shimmer, etc. Huge supersaws, lush pads, arps, plucks, basses and even more. Creating The '˜SuperSaws' The first step to making our patch wider, fatter and generally bigger was converting the standard saw wave based oscillator into a '˜SuperSaw' or multi oscillator. Step #1: Gain Stage Everything To Be -12dB. It operates on two layers of sounds that can be stacked or split, then each layer has two OSCs that both can be set to Supersaw. Learn more. The Highs. Featuring Husman, Olly James, and R3SPAWN. just to justify it Supersaw = 7 saws in 1 osc (from the famous Roland JP-8000/8080) I dont know the name of this = 8 saws in 1 osc (dun know where it came from) Hypersaw = 9 saws in 1 osc (from the famous Access Virus TI) Megasaw = 10 saws in 1 osc (dun know where it came from) Add----most of the synth I have has their own characteristic in producing supersaws. This was simple, I just switched the oscillator out and made a direct replacement. We are so lucky that we can learn almost everything about music production for free online. Some mild distortion and compression can help keep it together. I know it sounds weird tempo-wise but if you layer a metronome or drums or something it sounds totally fine. It should fill up the mid and high mid frequency area. The difference between mono and stereo is in the number of channels that the speakers use. The Roland JP-8000 was released in early 1997 as part of the first wave of virtual analog modeling synthesizers (VA synths). Correctly gain-staging your mix is the most important step to mixing your beats since it will help you guarantee that your beats won’t clip and get ruined. The first layer is a lead synth that can play chords without distorting. It's key also to have fifths in your bass, but I'll get to that more during the layering section. Layering is great to create fat supersaw sounds. Even with layering multiple supersaws/synth layers still seem to have the wrong problem and I feel like it could be chord voicings. You can make a simple chord progression and just change things up as you go. Huge supersaws, lush pads, arps, plucks, basses and even more. And last but not least, let's not forget the sharp layer. Layer multiple sylenth instances together. Insane Supersaws When you buy products through links across our site, we may earn an affiliate commission. The Sub. Not just one supersaw. You can also make supersaws and layer it with the strings. Sevenths, ninths, elevenths, and thirteenths are great for supersaws on the top, but sparingly. Making all of these layers is pretty simple. Do I use continuous chords or one continuous note? Others from that period included the Clavia Nord Lead (1995), Korg Prophecy (1995), Access Virus (1997) and Yamaha AN1x (1997). One layer is playing the changing chords underneath, and the other layer is playing the repeated A3 note on top. If you don’t balance your leads, they will fight and cancel each other out. The best way to get the sound rough, is to bring in another supersaw instance - this one high pitched, and with crazy and aggressive detune. This waveform is frequently used particularly for lead and bass sounds in the trance, progressive house and future bass genres. Serum Supersaws Oscillators. The quick and short answer is: those big 'stacks' require many layers. Mono tracks send the same signal to all speakers. Adding a slow arp or simple top melody may help. Use „Stack” for upper harmonics. Play your chords in two octaves. Modern Supersaws. DAWs make building your own layered sounds quite manageable, and while it’s not true Supersaw tech, a handcrafted, multi-layer oscillator is still commonly referred to as a Supersaw. It allows you … It's basically a softsynth version of the Roland JP-8000 (the mother of the supersaw sound) with some modifications. Every sound is unique and creates different feelings, depending on the combination. When you layer and stack leads together, you have to keep their volumes balanced. So for example, I layer like this: And, equalizing vocals can be challenging, especially when their bass is strong, or when they have harsh frequencies. The second layer is the what would usually be called the "Super Saw". 5. Information about your use of our site is shared with Google for that purpose. Then you fade this in ontop of your thick, fat and steady supersaw as a screeching top-layer sparkle. Break apart your 'stack' into multiple sections: 1 sub layer, 1 low to mid layer, 1 mid, 1 mid to high, 1 high and a super high. EDGEK8D. Layering sounds - supersaws, frequencies etc. International Hardstyle forum. It's like additive synthesis but with a bunch of patches. The High-Mids. 17th August 2014 #5. and there are some guys that you may hear about but who knows, maybe some of them will be new to you so we collected a few for you in a series of articles. Listen carefully and you’ll hear two main layers in the chords from bars 29-33. Help? Stay up to date on Hardstyle and Hardcore parties, releases, free/unreleased tracks, DJ mixes, how to produce and much more. Forum rules Kick questions/feedback in … „Stack” is a hidden Serum function in the „Global” tab. The Supersaws on the SH-201 can't be adjusted with the same amount of depth as the JP-80X0, but it … It's specifically made for supersaws and is reasonably priced for its quality. We made sure that all the sounds fit perfectly with themselves. I personally like using T-Force Alpha Plus for my supersaws. Detune gives it that 'supersaw' quality. The Mids. A waveform consisting of a number of slightly detuned sawtooth waves superimposed. Festivals and clubs usually play the songs in mono speakers so that they can be louder to the audience. In order to help you, we prepared a complete collection of Future Bass Xfer Serum presets. If you want an easier way of making nice supersaws, I highly recommend Adam Szabo's JP6K VST. However, stereo tracks send one signal to the left speaker and a slightly different signal to the right speaker. Does anybody know what the Prophet X Supersaw exactly is? It produces a characteristic buzzing sound which is sharp in the treble, but not thin in the bass like a conventional sawtooth can be. You can use layers of violins and other strings. The OB-X was a fat and warm-sounding 80s hardware polysynth that barged its way to prominence with the help of Jean-Michel Jarre, Herbie Hancock, Van Halen and Queen – among plenty other artists.OB-Xd from discoDSP’s is a faithful reproduction of the rich-sounding synth, implementing randomised micro-tuning to achieve similar tones. Step # 1: Gain Stage Everything to be -12dB use continuous chords or one continuous note distorting. Distortion and compression can help keep it together note on top progression and just change things up as you.. Changing chords underneath, and thirteenths are great for supersaws and is reasonably priced for its quality anybody know the... Detuned sawtooth waves superimposed I feel like it could be chord voicings plucks, basses and even more distortion! 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